Saturday, December 29, 2007

Business Strategy and Writing?

The Freedom of Choice

Many writers may start to get a little frustrated when I start to talk about their writing in business terms. Why? Writing is such a personal practice, a calling even. Business is just business. People trying to make a money or support a cause (nonprofits). If it helps you to think of your writing in the nonprofit sense, please do so, but this post should still apply to you!

I talked last week about differentiation, or more broadly, strategy. Let me define strategy: "Strategy defines how an organization (or individual...i.e. writers) intends to create value for its shareholders, customers, and citizens" (as defined by Robert S. Kaplan and David P. Norton in Strategy Maps, 2004). Another view from Michael Porter (popular business strategist) would be that: organizations should position themselves in a way that creates a competitive advantage.

Strategy for the writer is (as defined by me, J Sherer): "How a writer intends to add value to his/her publishers, readers, and society." The way in which the writer adds value (and the degree to which value is added) creates a competitive advantage for that writer.

For the writer, then, strategy is about making a set of decisions that add value for publishers, readers, and society. The writer has the freedom to make these choices, and in that freedom of choice and decision-making, the writer develops a strategy.

Writing Strategies

Let's take a look at some famous writers and their strategic approach to writing:

J.R.R. Tolkien: To create a fanciful world, write with vivid, unfettered creativity to mold a story that unfolds with epic purpose.
Michael Crichton: To utilize research and science to present action-oriented stories with a real base for believability.
Stephen King: To frighten the mass market by writing easy-to-read horror stories that play on common fears.

I could go on, but I think that should suffice for now. Notice all the decisions that were made by the writer just to get that one sentence completed. If we start to unpack those statements we see where the writer is adding value. Let's take Michael Crichton, for example. He writes for the mass market, so in that sense he has to choose a form of expression for his writing. To a certain extent it asks for a literate, intelligent reader that wants more than just pure action. The reader wants something tangible and well thought out to go along with the action. Otherwise, to that reader, it's not believable. What decisions is he making? Decisions that pertain to storytelling (bringing in research and science), plot (believable, but far-fetched), a character set (smart, scientific people), and even his voice (which sometimes sounds a little like a prose textbook).

That is how Michael Critchon adds value to his publishers, his readers, and society.

Hopefully, you're beginning to get excited about this strategy thing. If not, I'll just sit back and enjoy my own analysis, because I think it's fun. But, what are some writers that you've read that you would like to analyze? Toss them into the comments and let's talk about them.

Friday, December 21, 2007

Marketing and Writing

Marketing + Writing = ?

A lot of you know that I make my cash as a marketer, but that I also do this thing on the side called writing. Both have a little bit of art to them, both have a little bit of science. Let's, for the sake of this post, think a little more on the scientific end of things for a bit. Most of the writers out there are going to start cringing, but just give me a few minutes of your time...

"It's called a voice..."

Differentiation is at the core of business strategy, or said more appropriately, "Business strategy is defined by differentiation." What does differentiation mean? It's a big word that writers may understand at its root level, but how does it pertain to writing?

Well, let me propose this to you. As writers, we create what the business world would call a "brand identity." Yes, unfortunately, you are creating one...each and every one of you writers. "But I only write for art!" Good for you! You're still creating a brand identity, though. Even a brand experience. And why? Well, if you are trying to sell your work, it will come down to needing brand awareness! (If you're not, you're just creating a brand experience that you alone can enjoy with your closest friends).

How are you going to stand out in a market completely saturated with excellent, marginal, and terrible writers? (all of whom have been published). There it is. You're going to create a brand identity.

"But, you don't understand, my work is from my own writer's voice! That's what sets me apart!" True. However, that's only a piece of a much bigger pie. Understand that when you create a work of art, you're making choices. Those choices will differentiate your work. They will differentiate your life.

They will build you a brand identity.

Next time, I'll go further down this path to explain how this may affect you, the writer (and you readers as well). Stay tuned...

Monday, December 10, 2007

Why We Write

Selling Words on a Page

It occurs to me that the title of my blog has many meanings. The first is literal-exchanging thoughts typed or written onto a page for money. That's an ideal that many writers dream of. Even successful writers have limited monetary success. Published authors who write excellent books making no more than $30,000 a year (without benefits!) or less. Of course, for every billion writers in the world there's a Michael Crichton, a Dan Brown, a Stephen King, a Jeph Loeb, a J.K. Rowling, a Robert Ludlum. They sell a million books, they make movies, and they make bank.

The second meaning of my blog title is still fairly literal and relates directly to the marketing side of things. Without a strong push for people to actually read the material, it doesn't get read. And trust me, there's no lack of trying on behalf of these writers.

There's another meaning that's not so literal. It refers to getting an audience to buy into a work of art. The art of selling the words to the reader. Creating a believable world, a compelling storyline, interesting and dynamic characters, and strong emotional connections. It's putting what's in your head onto the page and eliciting a positive response from your audience.

My Writing

I write because God gave me the desire. It's that simple. When I was a kid I used to pretend I was part of movie trailers. Give me a wiffleball bat and I became a knight fighting off hordes of ogres. Eventually, I started putting the thoughts onto a blank page of paper. And I didn't always just write. Sometimes I illustrated pictures. It didn't matter as long as I had the opportunity to express what was going on inside my head.

And then a couple things happened. I started reading more. I started writing more. I studied the art of it (I still do!). All of the sudden I was a writer. I even intended to major in Creative Writing in college (fortunately, I learned just before registration that writers don't make money). I've even tried to stop over the years, but I keep coming back to it.

I've published several stories, been interviewed by a local paper, and I started TimeSlingers.com with my friend, Nathan Scheck. I'm very fortunate. I consider it a gift from God, and I'm grateful that He's given it to me.

Part of what I've always hoped to do is to use writing as a means for ministry. I'm not a great evangelist, probably never will be, but I can write. So, it's with great pleasure that I am able to say that when stories like The Arena (published several years back in Dragons, Knights, and Angels Magazine) and Understanding (on sale now at Amazon.com as a part of the Infinite Space, Infinite God anthology) have been released to a larger audience.

It's not just about money. It's about the art itself, it's about ministry, and it's just fun. So, thanks to everybody out there who has read the anthology, and to those who have taken the time to check out TimeSlingers.com. I appreciate it, and I hope God continues to give me the ability to write, because I really enjoy it.

With that, I leave you with a little self-promotion (it's titled "Selling Words on a Page," okay?). Here are some reviews of Infinite Space, Infinite God (I happen to like the first one best):


Until next time...God Bless!

Tuesday, December 4, 2007

"Just when I thought it couldn't get any dumber..."

"Heroes does something like that..."

The Heroes finale aired on NBC last night, and after commenting last week about how I thought it might hurt them, I thought it would be necessary this week to discuss at length how it actually turned out.

First, one very interesting thing to note is that Heroes is written by multiple people, but last night they gave the writing credit to one of their big guns...Jeph Loeb. A friend of mine recently passed along some of Jeph's comic books, and he's had a ton of writing credits under his belt, so, needless to say, I was pretty excited to see him listed as the primary writer for the season finale.

Another interesting choice was made that I did kind of expect. It wasn't a hard ending. In other words, it was much more Empire Strikes Back than it was A New Hope. It ended, but there's a lot more to be resolved.

I won't go into details, because I don't want to add too many spoilers (although you should feel free to do so in the comments), but those were two things I found intriguing. But what did I think overall?

"...and totally redeems itself!"

Okay, yeah, I really liked last night's episode. I thought it was definitely up to par with Season 1 (although, Season 1 is still better overall). The writing was tight, it made sense, it cleared up some loose ends, it contained a good deal of action and suspense, and it left things open.

There were still some story arches that definitely needed more effort. We still didn't get connected to some of the emotional consequences of the show. Some of the things that came up (okay, one spoiler), like Nikki's, "I have a virus" didn't really pan out well. It needed more attention drawn to it, but they ran out of time. So, it wasn't all perfect, but it was pretty good.

Moral of the story? Not sure. But, definitely don't rush your story home at the last minute. If you've got a guy on third base, don't have him steal home plate just before a rain delay. Wait it out, keep the suspense up, and when the rain has passed, drive him home (all right, bad analogy).

If you're gonna send him home, though, make sure he's fast. Real fast. Bring in a substitute runner...like Jeph Loeb. I guess a really good writer can come in and clean things up really well, even with a struggling storyline.

Excellent writing. It's fun for a writer to watch another writer just kill. It's inspiring.

What'd you guys think of the season finale?